Wednesday, December 28, 2011

Who Did What? The Closing Ceremonies!

Thomas has posted the Genea-Blogger Games: Closing Ceremonies with some interesting tidbits about the games as well as the flags of all medal winners along with their medal count.

Among other interesting facts regarding the games that Thomas provided is that 35 of the 38 people who entered the competition were able to complete one or more events as planned and earn at least one medal. A total of 120 medals were awarded, of which there were 40 Platinum, 33 Diamond, 24 Gold, 10 Silver and 13 Bronze. Be sure to read the rest of his post for more information and to see who did what. Great job, everyone! Are you ready for ..?

So, how did I do? The details are here. . .


  • Cite Sources: Bronze
  • Back Up Data: Gold
  • Organize Research: Platinum

  • Write, Write, Write: Diamond
  • Genealogical Acts of Kindness: Platinum

Tuesday, December 27, 2011

Angels Landing :: The Finale

By the time I went to bed on Wednesday night (May 5th) I had talked myself into making the climb to Angels Landing. I got up early Thursday morning and caught the eight o'clock shuttle bus to the Grotto stop.

The trail up to Scout's Lookout was just as strenuous as it had been on Tuesday. The uphill grades and switchbacks were still just as steep. It didn't take long before I was huffing and puffing and stopping often to catch my breath. And just like on Tuesday, other hikers started passing me within a few minutes on the trail. I didn't care. I took my time and got there all the same.

Soon I was navigating through Walter's Wiggles and had arrived at Scout Lookout. I stopped briefly for a quick snack, and before I could even think about it was up and over that first peak. Then before me was Angels Landing. Still intimidating. Still awesome. I stopped long enough to get a couple of pictures of the trail, then with a rush of adrenaline, I was on my way. I didn't stop to think about what I was going to do, I just knew that I “had” to try.

The first few steps are the most terrifying. But it is mostly psychological. The trail is several feet wide. The Virgin River is almost 1200 feet below.


Left: This was the hardest and scariest part for me. It was a pretty high step up to the cut-out in that first rock and the chain was down low. And I have short legs. And there was nothing on either side of that rock except air. I “knew” if I could get through this section at the beginning, then I could do the rest of it too.

Right: Going up the “spine” of the peak.


Left: Looking back at where I had gone.
Right: Offering a helping hand.


Left: Getting near the top.
Right: Walking across the ridge at the top of Angels Landing.

This is it! The end of the trail. The top of Angels Landing!

Do I looked pleased with myself? You bet!

The Lower Zion Canyon from atop Angels Landing.

The following four photos were taken on the way down from the top and show a bit more detail of the trail.




The descent down took me about half as long as the climb up. It wasn't nearly as scary as I thought it was going to be. You really just concentrate on where that next step is going to take you and you are looking at perhaps ten feet or so in front of you. There were a lot more people on the trail on the way down, everyone was patient and helpful, no one was in a hurry. We all just wanted to get safely down. And we did.

It was amazing! I still find it hard to believe that I DID IT!!

Other posts in this series:
  • Angels Landing :: The Prelude
  • Angels Landing :: The Overture
  • Angels Landing :: Interlude

Sunset at Cobscook Bay

Wednesday, September 19th - - A stormy day sometimes brings a beautiful sunset. After driving around looking for a 'better' spot to view the setting of the sun, and not finding one, I returned to my campsite just in time...





Sometimes I am, quite simply, amazed by the beauty of Mother Nature. The south-eastern sky was filled with a soft, muted pink...






While the western sky was ablaze with fiery streaks of orange.





It was a beautiful sight! Yes indeed.


Friday, December 23, 2011

500 Summits!


It has been in the works since 1975 and last week early on a Saturday morning, mountain guide George Dunn reached the top of Mount Rainier for the 500th time! He climbed with his wife Nancy, son Jeremy along with friends Phil Ershler and Eric Simonson.

On the way up they had to fight through some tough wind and lightning, but were able to push on to the summit, helping George break his previous record of 499 summits! This is by far the most anyone has ever climbed Mount Rainier and he doesn't seem like he will be slowing down anytime soon.


George has been guiding for the past 35 years and has led many climbing trips throughout the world. His knowledge of climbing and of Mount Rainier specifically is a great asset to all of us here. He is currently a co-owner of International Mountain Guides, one of three guide services that operate full time here on Rainier. Our congrats go out to George and his family on this terrific achievement.

For more information about guided trips on Rainier check out these links, and for more information on Georges climb, including photos and videos click here.

Tuesday, December 20, 2011

Valentine's Day

You can get your valentine a common box of heart shaped dounuts or you can get a bit more fancy and put some heart shaped candy and candy kisses in what ever kind of container you might have sitting un-used around the house. I used an antique swan that was my grandma's and a small silver jelly bowl that was my mom's. I had some wine glasses and put some in one but don't show the stem of the glass in the photo. Of course the addition of a cat is nice. You can see just the black foot with white toes of one cat foot in the photo of the silver jelly bowl.


















Have a Happy Valentine's Day

Monday, December 19, 2011

Moultons, Modern and Vintage


Local bike shopHarris Cycleryhas begun carrying Moulton bicycles, and I had not seen one up close until now. They had a dove gray one in the window that called out to me, so I took it outside for a closer examination and test ride. Jon Harris then brought out another Moulton - one of his personal bikes made in the 1960s, that had once belonged to Sheldon Brown. It was informative to see the two models side by side.





The new Moulton is the TSR 9 model, manufactured by Pashley-Moulton.





Moulton bicycles have a complicated history. Production initially began in 1962, then ceased in the 1970s and resumed in the 1990s - with some models produced under license byPashley.





This bicycle has a Moulton headbadge on the head tube and a Pashley headbadge on the seat tube.





The frame design is called a space frame, and it allows for greater rigidity and lighter weight in comparison to traditional steel frames.





Moultons are not folding bicycles, but are "separable" and can be disassembled for travel.





In addition to their unique geometry and small wheels, Moultons are distinguishable by their suspension system - which they had originally implemented decades before it would become common.





Components on the Pashley-Moulton models are modern and off-the-shelf, which keeps the price "reasonable" (this one is just over $2,000) compared to the higher-end models.





My impression of the space-frameMoulton is somewhat confused.I find it architecturally interesting and beautifully constructed. However, I do not quite understand what makes it a good bicycle.I mean, is one expected to buy it because it is unusual looking and has a cool history, or does it have unique characteristics that make it superior to other bicycles? By moderns standards, it is not a lightweight bike by any means (26 lb without pedals), which somewhat defeats the small wheel construction. And the complicated frame structure - while beautiful to look at - makes me worry that I'll get my foot stuck somewhere in there while attempting to step over it. It just doesn't seem like a very practical design to me. Also, to my eye the handlebar set-up on thismodel clashes with the frame, and it seems to me that some effort could have been made to keep the price down while finding more elegant components.





I tried to ride the bicycle, but the front suspension felt so powerful that I did not feel comfortable test riding it in the winter. The Co-Habitant rode it briefly and did not feel stable on it, which may have to do with the suspension as well - neither of us is used to it. The conditions on this day were not ideal for properly test riding bikes, so I'd like to try it again when it gets warmer. But on first impression, the Moultonspace frame bike did not feel entirely welcoming.





On the other hand, I was surprised by how friendly and accessible the vintage "F-frame" model felt in comparison. This is one of the original models, introduced in the early 1960s - the Major Deluxe. It came with a 4-speed hub, front and rear rack, and a large bag mounted on the rear. Here is a neat promotional video from when these bikes first came out.





Despite being somewhat heavier than the currently produced space-frame, I found the vintage f-frame easier to lift and carry.





The step-over is considerably lower as well. In other ways too, the vintage Moulton just felt like a better fit for my proportions; it felt very natural.





And of course the classic components are absolutely charming.





The North-roadish handlebars are more comfortable than the straight bars on the modern production bikes.





The fenders and racks are extremely useful, and the bag is huge. In essence, it is a small, practical bike - not as visually striking as the later space-frame, but more user-friendly.





I appreciated the opportunity to have a closer look at the Moultons, and would like to properly test ride the modern production bicycle once Spring arrives. While I can see myself owning and riding the vintage F-frame model, I findthe newer space-frame model intimidating and somewhat impractical, though visually compelling. Moulton owners and enthusiasts are welcome to contribute their impressions.

Sunday, December 18, 2011

Variations on Red and Green

Early Production Mercian

Growing up, red was my mother's favourite colour. And my mother was a tirelessly creative woman back then. She sewed, she knitted, she made things. Consequently I was dressed in red sweaters and coats. I slept under a red patchwork quilt. You get the idea. I did not know how to communicate my dislike for this colour. When I was 3 years old, I was gifted a red tricycle and stunned my parents by breaking into tears at the sight of it. I loved riding that trike. But when no one was looking, little by little I began trying to scrape the paint off. My parents grew concerned and eventually got rid of it. They must have thought I was eating the paint.




As a teenager, I gravitated toward all things drab. This was the '90s grunge era, so that was easy enough. Army-navy stores, denim, plaid, combat boots. I rode a matte black bicycle then, and even peeled off its bright decals. When asked what my favourite colour was, I did not have an answer. In college I wore black. I made large charcoal drawings. I took black and white photos.






Sometime in my twenties I saw a weathered old bicycle locked up to a farm gate by the river. It was a lady's bike in the signature English shade of bottle green, and the weak East Anglia sunlight was hitting it just so. The enamel paint had a special quality to it that made it resemble an aged candy wrapper. I saw it and I knew right away that I liked it. As an adult, it was a thrill to learn that I had a favourite colour after all. I began to experiment, to chase after the perfect green. Somewhere between sage, chartreuse and olive, this ideal shade existed and was waiting for me.




After that I relaxed about colour. Blues and lilacs began to sneak their way into my surroundings, mingling nicely with the greens. Accents of pinks and reds appeared.



A couple of summers ago, I was staying in Vienna and looking to buy a vintage racing bike to bring home. A friend found me the perfect one and took me to see it. It was a bright red Moser. I remembered the trike of my childhood and laughed. "I love the bike, but I hate red." I got the Moser anyway and rode it for two years. It wasn't just red, but an unusual shade of strawberry with a subtle golden sheen to it. Everyone complimented the colour, protesting when I revealed my plan to eventually repaint the frame. "But the red is great, and it's so you!" Soon I began to receive red articles of clothing as gifts. I remembered how, as a child, I hated being known as the girl in the red coat, the girl on the red trike. But now it just struck me as funny. I still dislike red, but I guess I no longer think that's important.




I talk to lots of people about their fantasy bikes, or bikes they are nostalgic for, or bikes that simply stick in their memory for some reason. Red bikes and green bikes are mentioned more than any other kind. The colours play an important role in the story, but for reasons the story teller cannot clearly express. They will just keep repeating that it was a red bike, or a green bike, stressing the colour as if this information is pertinent to how special the bike was. It's not always a straightforward, cohesive story, just like mine is not. I suspect a lot is left out, possibly the most relevant parts. Of course we could break it down to the basics. Colour, motion, emotion. Excitement, tranquility. Stop, go. Red bikes, green bikes. But who wants to see it like that.

Thursday, December 15, 2011

Hi-Ho Silver!

I admit that I cannot resist a silver bicycle - especially one that looks slightly "steampunked" with copper and leather accessories. I saw this one at DBC City Bikes in Somerville, Mass. last week:

This bicycle was built up using a custom Gerhard Marshall frame (originally made for Velorbis), with Sogreni, Brooks and Nitto components. I take it the frame is either chromed or stainless steel, but I cannot recall which. If anyone has any info on Gerhard Marshall frames, I would love to hear it; cannot seem to find anything about them.

Here is a view that shows off the fenders and handlebars better. The fenders are Sogreni, but were altered to fit the frame and tires.

Sogreni chainguard.

Copper and leather - mmmmmm...

Braided bar tape, inverse brake levers, brass bell.

All in all, this is one of the most striking bicycles I have ever seen in a bike shop. Though I understand it has a decidedly weird geometry, the build-up is incredible. Some inspirational food for thought for those considering silver frames!