Riding a roadbike does not come naturally to everyone, and one particular source of frustration is the drop handlebars. I was frustrated by them too when I first started, and so I hope this illustrated introduction might be of some help. To preface, a couple of things to keep in mind: First, drop bars vary in shape. This post assumes that your bike is fitted with theflat ramp style of bars prevalent today - either the compact type found on most stock road/racing bikes, or the more classic style popular with the twine and shellack crowd (i.e. the Nitto Noodle, Grand Bois Maes, Velo Orange Course). I am also assuming that you are using contemporary"aero" style brake levers, with the brake cables hidden.Note that if you are dealing with a 1970s-80s roadbike (i.e. something like this), the shape of the original handlebars and brake levers will make some of the positions described here impossible. Not everyone agrees on which hand positions are best to use at which times, or even on what the positions are called. This write-up reflects my non-expert personal experiences, informed by local mentours.
Whether you are racing, touring or going on a leisurely ride, what makes drop handlebars special is the variety of hand positions they offer. I consider there to be 5 distinct positions available: The hoods, the hooks, the drops, the tops, and the ramps. Read on for a description of each.
1. The HoodsThe "hoods" position refers to keeping your hands on top of the rubbery brake hoods, wrapped around them firmly. I think it is fair to say that today this is widely considered to be the standard, neutral position for riding with drop bars.When done correctly, it is extremely ergonomic, distributes the cyclist's weight nicely, and affords optimal leverage for cycling at different speeds. It is also a position from which the brake levers are easily accessible. Some cyclists report that the hoods make them lean forward too much. If this is the case, consider changing your handlebar setup - perhaps raising the bars, getting a shorter stem, or getting compact handlebars (with less distance between stem and hoods). On a properly fitted bike the hoods should feel easy and natural to reach.
There is a number of ways to hold your hands on the hoods, and this is how I usually do it. The main thing is to actually grip them and not just rest you hands upon them.
There are also different ways to brake from the hoods, and this is how I prefer to do it. Squeezing the brake lever with only two fingers while leaving the rest wrapped around the bars/hoods themselves ensures that my hands won't fly off the handlebars if I go over a bump.
For those accustomed to upright handlebars, the hoods position on a drop bar bike can feel awkward and disconcerting at first and can require some practice to use comfortably. It took me a couple of weeks before I really "got" the hoods, but once I did it's been true love. It's the position I use the most no matter what kind of riding I do. And if you are planning to take part in formal paceline training rides, chances are they will expect you to use the hoods as the standard position - and may even insist that you do so.
2. The HooksWhile often the position shown here is referred to as the "drops," there are actually two distinct drops positions. To differentiate between them, this one is more specifically known as "the hooks." It involves holding on to the parts of the bars that curve outward, with the cyclist's hands directly behind the brake levers. It is a more aggressive and aerodynamic position that the hoods, which makes it especially useful when cycling downhill and attempting to fight wind/air resistance.
The brake levers should be easily reachable from the hooks position. Braking in this manner is more powerful than from the hoods, because it affords greater leverage. It is important to be aware of this, so as not to accidentally slam the brakes when riding at high speeds.
3. The DropsTo differentiate from the hooks, this is what I will call the "true drops" position. To what extent the two positions are distinct really depends on the style of handlebars used. On some types of contemporary drop bars, the curvature here is so dramatic that the positions are very different - the true drops being parallel to the ground and the hooks perpendicular. On other drop bars the curve is less defined and it's hard to tell where the hooks end and the drops begin. Either way, the crucial distinction for me is that you can reach the brakes from the hooks, but not from this lower section of the drops.
Both the hooks and the lower drops positions are quite aggressive, and for beginners the crouching posture they put you in can feel scary. While at this stage I am more or less fine riding in these positions, even now I am still not as confident as I could be. Riding downhill in close proximity to others, I sometimes chicken out and stay on the hoods, simply bending my elbows a whole lot to get myself low enough over the bars. In a pinch, that tactic will do - but mastering the hooks and drops is ultimately worth it and I continue to work on it.
4. The TopsAnd now, the dreaded tops of the bars... My personal opinion is that the "tops" are bad news for beginners and are to be avoided until after you pick up some road cycling skills. Let me explain: Beginners who cannot use drop bars properly tend to hold their hands on the tops, because this reminds them of mountain bike handlebars and allows them to stay more upright than any of the other positions do. It feels safer. However, this is deeply problematic. First, you cannot reach the brakes from the tops. And if you are too scared to use the other positions, will you really be able to brake quickly and effectively when the situation calls for it? Probably not. Furthermore, drop bars are narrower than mountain bike handlebars, and holding the tops places the rider's hands too close to the stem - not the best position for controlling the bike. Nearly every time I see a beginner on a roadbike lose control of their bicycle, they are holding the tops.
That said, the tops do have their function. Some find this position helpful for climbing, as it opens up the chest and facilitates deep breathing. Also, when doing a long ride it's great to simply have it as yet another position for your restless hands. Personally, I almost never use the tops even in these circumstances, because my hands are uncomfortable. But not everyone has this issue.
5. The RampsFinally, there is the rather difficult-to-photograph position called the "ramps," and I have also heard it referred to as the "shoulders." Located between the hoods and the tops, it involves holding the corners of the top portion of the handlebars. In this position the rider is more upright than on the hoods, while maintaining more control of the bike and a more ergonomic wrist position than they would on the tops. I hold my hands in this manner mostly on long rides, for short stretches at a time, when I want to do something different or be more upright for a bit.
All these new positions can certainly be overwhelming. As far as a starting point, I suggest learning to use the hoods well first, then transitioning to learning the hooks/drops. If the pictures here are not enough to help you understand the positions and the braking, ask an experienced cyclist to show you in person and imitate them. I did this some time ago, and it was more helpful than any online tutorial I could have read.And for those riding vintage bikes with handlebars like these and having trouble using them, consider updating the bar setup. You cannot use the hoods with that style of handlebars and levers, and I wish someone told me that when I first struggled with vintage roadbikes 3 years ago.
While drop handlebars are easy and intuitive for some, for others it takes practice to get comfortable with the different positions. My suggestion is to not be intimidated and just keep practicing. If you ask me, it's worth it.
7:00 a. m. Walking over to the marsh boardwalk.
7:07 a. m. From the middle of the boardwalk.
7:13 a. m. From the far side of the boardwalk.
7:18 a. m. From a distance, using the telephoto feature.
7:22 a. m. From the same spot as the previous photo.
7:24 a. m. The morning has risen.
7:32 a. m. My only companions were the birds.
They did very well together.
I think they had incredible teamwork together. Especially since it was their first time playing together.
The ended up in the championship game and they won their bracket! Woohoo! WTG, Aric!
Mae was the adopted daughter of William James Dunfee and his wife, Mary Elizabeth Walker. Jane is my grandmother's sister, Hazlette is my grandmother, and Mercides is the object of my quest in unraveling a little mystery. It's a guess, but I'd say the picture was taken about 1918-1920.
The note reads: 
When I was a girl, the one and only vacation I remember our family going on was to Galveston Island. One of the things we kids loved there were the houses on stilts. I still love them. It is one of the things that makes island living seem so quaint to me.
Beach houses tend to have three things in common as far as I can tell. They are on "stilts". They have great porches. They are built to have views of the ocean. I think they are beautiful.
I have had some kind of creedy crud, or my allergies are really in high gear and it's been that way for over a week now. I feel pretty miserable. It was kind of nice today though because it gave me an excuse to sit and catch up on editing pictures and blogging some!
