Monday, August 31, 2009

The Winter Carnival has Arrived!

Jasia has posted the 64th Edition of the Carnival of Genealogy, the topic this time around was Winter Photo Essay. Thirty contributors featured a variety of "winter" photographs. A chilly trip back in time to be sure, but heartwarming nevertheless.

The topic for the next edition of the Carnival of Genealogy is: "The Happy Dance. The Joy of Genealogy. Almost everyone has experienced it. Tell us about the first time, or the last time, or the best time. What event, what document, what special find has caused you to stand up and cheer, to go crazy with joy? If you haven't ever done the Happy Dance, tell us what you think it would take for you to do so."

This next edition will be hosted by yours truly, right here at kinexxions. The deadline for submissions is February 1st. Submit your blog article to the next edition of the Carnival of Genealogy using the carnival submission form. Please use a descriptive phrase in the title of any articles you plan to submit and/or write a brief description/introduction to your articles in the "comment" box of the blogcarnival submission form. This will give readers an idea of what you've written about and hopefully interest them in clicking on your link.
So that we genea-bloggers can plan ahead (yeah, right!) Jasia has provided a list of topics for future carnivals (in the lower left column at Creative Gene). Several dates are still available for hosting. If you're interested, contact Jasia.

The COG posters are a creation of footnoteMaven.

Saturday, August 29, 2009

Echoes of Bikes Past: Yamaguchi Mixte

Yamaguchi Swoopy Mixte

At a gathering of vintage bicycle enthusiasts last week, I spotted this unusual machine and made my way toward it through the sea of French constructeurs. "Aha!" said the owner, "I brought this one especially for you to look at." Yamaguchi Bicycles, Japan. Year, model, and history unknown. Not collectable. Not worth much. Not of interest to many. But what attracted me was its surprisingly elegant combination of design elements not usually seen on the same bike: a mixte frame, roadster geometry, 26" wheels, rod brakes, full chaincase. The colour - straddling the border between beige and mauve - reinforced the theme of blending.




Yamaguchi Swoopy Mixte

Despite its obscure pedigree, the Yamaguchi was a hit with the vintage collectors; there was just something about the way everything harmonised. It also "looked light" despite weighing over 50lb.




Shimano Trigger Shifter, Yamaguchi Bike

From a historical perspective, an interesting feature of the bike is the very early Shimano 3-speed trigger shifter. I have never seen one of these before, and could not find examples online allowing me to establish the date of manufacture.




Yamaguchi Swoopy Mixte

As far as frame construction, it is neat how they kinked the right lateral stay so that it would clear the massive chaincase, then routed the shifter cable and dynamo wiring along that stay.




Yamaguchi Swoopy Mixte

Another interesting thing is how thoroughly branded this bicycle is: Every part of the frame, many of the components, and even the bolts used sport the Yamaguchi name.




Yamaguchi Swoopy Mixte

Yamaguchi fender ornament.




Yamaguchi Swoopy Mixte

Yamaguchi cranks, including dust caps.




Yamaguchi Swoopy Mixte

Yamaguchi saddle.






Yamaguchi Swoopy Mixte

Noticing a decal that mentioned motorcycles, I incorporated that into my search and found mention of a company that went out of business in the late 1950s. This could be them. Later a reader posted a link to a Japanese blog showing some photos of Yamaguchi "Gold" roadsters, which is the only other significant mention of the brand I've encountered so far.





Yamaguchi Swoopy Mixte

Over the decades, bicycle manufacturers all over the world have come and gone. Some of them have left a mark in history and others disappeared without a trace. The Yamaguchi roadster-mixte is in the latter category, which makes its elaborate branding and unusual design all the more intriguing. Did the manufacturer have plans for this bike to become popular, or was it merely a promotional item for their motorcycles? How many of these were produced? How did this one make its way to the US? These things we may never know.




Yamaguchi Swoopy Mixte

Recently a friend and I were talking about all the new bicycle brands popping up on the market today, and speculating which of them will last. History suggests that most will not. But maybe now - with all the forum chatter and other electronic traces of things - we will be left with more detailed records of the brands that disappear. Stories of failure are just as historically significant as stories of success, and it's a pity these stories tend to get lost. Trying to reconstruct them is one reason I like finding obscure vintage bikes.

Thursday, August 27, 2009

The best money you can spend in the mountains.....



"To evolve, you must stay involved" Glen Plake





It is easy to get complacent and lazy. It is much harder, having and keeping a beginner's mind, the mind of a student. I have a hard time doing that myself. And it takes me a concerted effort to get there.



Couple of reasons for that. While I am curious I am not a very good student. I'm demanding and stubborn and head strong. And I don't listen well. I have to work at it. It might takecold hard cashto get me to listen at times. My cash! Worse yet I am not generally willing to do anything new. As in a new sport. The sports I do now I have been doing for several decades. Andin my own mind I am at least fair at them. It has taken a good bit of practice after all.I haven't done many...so I have worked hard at getting proficient at what I do enjoy. But truth is I aways want to get better.I've worked as ateacher enough to recognise hard case students like myself. It aint pretty. Wish it were different but it is not. A lot of ego wrapped up in all that.



So for me to want to learn something new, I need a harsh reminder that I don't know everythingall already :)



A good physical trashing ( or falling even once a day on skiis will do it) generally gets me off the dime and rethinking what I am doing and how I might do it better. But putting myself in the position of astudent, and with a beginners' mind is really hard for me. And when I do, I expect...usually demand, a lot. As I said, I'm a tough student.













This weekend is our local skimo festival. It is called Vertfest and has been held at Apental ski area for the last few years. It is a great venue that hasn't yet really seen its true potential. There is a lot of industry support from many manufactures like, Outdoor Research, Dynafit and La Sportiva among others.A full setof demo skis and boots. That has to be fun!








"Precious"@ The La Sportiva tent :)








The Vertfest race was a a great course of either one lap (for 2250' gain) or two laps (for 4100' of gain). My friend JasonDorais of SLC laid down his two laps before I had done my first one. Time I heard was around 1:15. Which is smoking! Even though I am not really sure Jasonthought it was even a decent work out. Others did;) Have yet to actually see results (shame on you VertFest guys!) But the ladies winner was no slouch either. Sorry,I don't have her name just a pretty picture :) If someone can pass it along that would be great.






Jason Dorais, the Men's winner on Scarpa and Trab









Theobviously happy, Juya Ghanaie,Ladies OA winner!

She also finishedbefore I got one lap done!



Congrads to both!!





10 minutes prior to the start





At this point the pack has broken up and we are gettin strung out.










As good as the skimo race is at Alpental, it is the demos and the following Sunday of clinics that is the real high point of Vertfest IMO.



For just under $100 plus the lift ticket, I was able to do two clinics on Sunday.






Not that steep, but there is a lot of ski base showing...so steep enough.

Alpental has a lot of steep terrain in bounds.






The first was an excellent " Steep Skiing" taught by Martin Volken of Pro Guide Service with input by Tim Petrick, currently working forK2. But a legend atPSIA and the US Nat. Demo Team






Martin Volken, photo courtesy Andy Dappen




Alpental offers some steep terrain. We generally had good snow and I learned a few things and was reminded of a few others. You had to work for a living in this clinic. And be a little careful as well with the crusty conditions and the ice the previous day under a foot of new snow. Well worth the effort. If you ever get the chance this is a "must do" with Martin.It was a brilliant bit of instruction and perfect demo of the skill set required to ski steep terrain. Martin didn't miss the chance to remind us that this kind of terrain wasn't "normal skiing with a full pack in the mountains". You need to be careful in the back country, out of bounds and inside a ski areas like Alpental. All good reminders, imo.



http://www.proguiding.com/



http://amga.com/about/i_mvolken.php



http://www.gearinstitute.com/gear-news/industry-news/item/ski-industry-icon-tim-petrick-returns-to-k2



http://psia-w.org/alpine/psia-western-alpine-demonstration-team/











Olivia Race, photo courtesy of the LAS web site




The afternoon was taken up by my second, 3 hr. clinic. This one, Sponsored by La Sportiva, was unassumingly labeled, "Intermediate Techniques to Improve Efficiency for Backcountry Skiing".

Ialways aspire to be more efficient! How could I loose? It was taught by Olivia Race from the Northwest Mountain School. I have to say Olivia's class was really fun. Low stress compared to the terrain Martin and Tim had us skiing.I had no idea what to expect on this one and Olivia's obvious skill shonebrightly in the three hours of instruction. I have always said climbing (and skiing) is a thinking man's (or woman's) game. Olivia reminded me of just how true that really is, again. My brain almost hurt with just 45 minutes of her one on one tutelage. But I didn't realise it until I was done and anotherof my fellow studentscame under her critical eye and gentle instruction style. While I mindlessly followed along happy for the mental break. That hasn't happened in a long while. Again,brilliant. Learning new things is hard work for me ;)



http://www.mountainschool.com/



http://www.sportiva.com/ambassadors/athletes/skiing/olivia-race



Anyone that knows me (or has read reviews here) should know that I don't offer compliments often or easily. And I am pretty picky on who I will go out tothe mountains with out reservation. I was lucky enough to meet three this weekend that I would add to that list any time.



No question, the best $100 I've spent on "gear" in a long, long time.





Hire a qualified Guide or Instructor and speed up your own learning curve! That can include climbing or skiing and any part of eithersport depending on what you are looking to improve.

Waiting to actually try on Bellavista









Last month after the Eiger I came to the Dolomites with Calum to have a go at Bellavista, Alex Huber’s famous 8c on the north face of Cima Ovest. We had one day on it when it was wet and then had to leave when faced with a forecast of a week of thunderstorms.












Not liking being defeated, I hastily arranged a return in September for a long shot week on it with Alan Cassidy. A long shot because it might be getting a little cold by then for alpine north face 8c. The roof pitches on Bellavista suffer from dampness a lot. Sometimes, it’s just damp, and it’s ok for getting on it, if a little slippery. But this time it’s been just wet, soaking bloody wet.And when it's not wet, it's full on winter.












On our first day it was actually a bit drier, but about minus 2 with a strong gusty wind bringing in some snow flurries. I went for a session in the roof and made a bit of progress even though I was shivering quite amusingly by the time I got back to the belay. Alan took one look at me from the comfort of the belay jacket and opted to go down. Sensible.












After that it did warm up to around 3 or 4 degrees on the wall, but the warm humid air on freezing rock made it soaking. We opted to go up and do the 8a pitch above the 8c which we both could do pretty easily despite the wetness.









Overnight and this morning the conditions have turned back to full on blizzards and so once again we are sitting it out. We have a couple more days but It’s looking almost certain that if it warms up again it’ll take longer than that for the slime to dry off that roof.






Nevermind, at least we have tried. And I have done a lot of writing...















Wednesday, August 26, 2009

At the Asylum: an Account of a None Too Sane Patient

Artisan's Asylum

Some of you might be wondering where I've been over the last couple of days, either concerned or outraged over my lack of regular posts. Well, if you must know I have been up for the past 48 hours, watching a certain Interview on Oprah again and again, then endlessly analysing it with my internet friends on cycling forums ("Did you see his left eyebrow twitch when he said 'absolutely not' for the 8th time?").




No, I jest. But speaking of analysing facial expressions, readers might recall that I am a psychologist by training and former profession. And you know us psychologists, we love to experiment (that's professional jargon for "mess with people"). Well, last week my PsyPhone - which had grown dusty from lack of use - suddenly rang again, and I was asked to participate in One Last Assignment. "Come on boys," I groaned, wiping bicycle grease off my hands to the sound of jazz in background, "You know that I'm out of that racket." But they wouldn't have it. They needed me. Reluctantly I agreed.




The assignment was in the tradition of theRosenhan experiment. A team of us would infiltrate asylums throughout the country to observe and document their practices - from methods of diagnosis to treatment of inmates. I was assigned to the relatively newArtisan's Asylumin Somerville, Massachusetts.




Artisan's Asylum

Armed with notebook and camera, I approached the drab concrete exterior. The need for caution was immediately apparent, given this institution's stealth tactics. Tucked away on a side street lined with warehouses, the enormous building was hidden in plain sight in my very own neighbourhood. Thus it had managed to evade my attention despite being operational for an entire year.




Franken-Motobecane

I examined the street conditions to gauge inmate demographics. Bicycles of all types were locked up to every available post. It was clear that I too would require a bicycle, so a to appear a convincing inmate candidate. Luckily, I already had one with me.




Artisan's Asylum

At the front desk, several staff members were in place to scrutinise visitors. According to plan, I walked in presenting with vague symptoms of artisanry. Among these I listed: painting, knitting, sewing, persistent compulsions toward bicycle design, and a one time incident of framebuilding. I did not elaborate, I did not exhibit flamboyantly artisanal behaviours, and my hands and clothing were relatively clean. Yet the staff member required no further evidence to admit me. On a notepad I saw them quickly scribble what looked likepsychosis framebuildis, poss. acute. Then another staff member came to escort me.




Paul Carson, Artisan's Asylum

The inmates call him Dr. Carson, but we never see his face. He, as the other senior staff members, wear welding masks at all times. He appears to be legitimate, even if his interaction tactics unconventional.




SCUL's Lair

Another specialist is called Dr. Skunk. He interacts with inmates exclusively from behind a curtain. He too is purportedlylegitimate, and even runs his own clinic on the side.




Artisan's Asylum

Inmates appear well-kempt and not in apparent distress. Possibly they are medicated. Those who have been in the facility long term, enjoy a good degree of freedom. Some rely on two-wheeled devices to assist with mobility around the floor space.




Polka Dot Mutant Bike, SCUL

However, new inmates are required to wear green polka dotted metal "gowns," so that they are easily identified by members of staff. This contraption severely limited my speed and range of movements, making note taking and photography challenging.




Bikes, Artisan's Asylum

The interior of the Asylum is vast andlabyrinthine. Endless hallways connect shared spaces designated for inmate activities such as woodworking and metal working.




Artisan's Asylum

Private spaces are only partially walled off, allowing staff members to observe inmates.




Framebuilding Space, Artisan's Asylum

Primary colours are commonly used.




Framebuilding Space, Artisan's Asylum

Evidence of traditional (some might say outdated) treatment models, such as brazing activities, abounds.




Artisan's Asylum

Nutrition available on the premises seems limited to beer and coffee, which the inmates are required to brew themselves.




Artisan's Asylum

They must also make the tools and dispensers necessary for its production and serving.





Mutant Bike Thermos, SCUL

Each inmate receives a thermos in which to store hot liquid meals.




Artisan's Asylum

Yet I also noted sculptural renditions of used dishes piled up in several communal areas,




Artisan's Asylum

which could explain why the premises exhibit signs of insect, rodent, and possibly dragon infestations, in metal and paper form.






SCUL's Lair



A variety of instructional signs guide inmate behaviour. Voluntary compliance rates are considerably higher than I've seen in other institutions.



Bound Barbie, SCUL

While I have not noticed any overt force or violence used on the inmates, some visual displays seemed designed as intimidation tactics to keep them under control.




Bikes, Artisan's Asylum

After my tour of the premises, I noted the staff members administering a subtle series of tests to confirm my diagnosis. First, I was exposed to a disassembled vintage Bianchi bicycle in the traditional "celeste" colour scheme while a hidden video camera measured my pupil response.




Tubing, Artisan's Asylum

This procedure was then repeated with tubing, then lugs, then finally some unpainted brazed joints used as stimuli. At the end, Dr. Carson shook his head and jotted down some notes, which I saw to be a confirmation of the initial diagnosis.As far as I can tell, no other steps were taken to probe into my history or consider the appropriateness of my presence at the Asylum.




SCUL's Lair

Following a brief consultation among staff members, my fate was decided. My condition was serious. I was to stay at the Asylum and undergo intensive treatment.




Framebuilding Space, Artisan's Asylum

Devises to be used in this course of treatment were shown to me.




Framebuilding Space, Artisan's Asylum

Noticing I appeared to have familiarity with them, only confirmed to the staff members the correctness of their diagnosis.




Framebuilding Space, Artisan's Asylum
"Much of this is our own technology, made inhouse," Dr. Carson said soothingly. "I believe it will be effective in addressing your needs."





Paul Carson, Artisan's Asylum

He then showed me other inmates undergoing similar treatment. How happy they were, how engaged, how productive.




SCUL's Lair

Having witnessed everything I came to witness at the Artisan's Asylum, at this stage I attempted to explain myself and depart. But denial is such a common symptom of the condition I was diagnosed with, that this proved to be challenging. I tried to present evidence contradicting my diagnosis. But the staff members only nodded gently. "The pupil test does not lie," said Dr. Carson. From behind his curtain, Dr. Skunk tapped out in Morse code: "you. must. remain."




At length I managed to get to a phone and contacted the project leader of my assignment. He listened to my report. A long silence on the other end then followed."But Dr. [Redacted]..." he finally said, "You have not worked with us for some time. We have no record of such a project as you describe."




Gathering, Frame 0.5

What can I say, dear readers. Sometimes life takes us to strange places. Places that exist in pocket universes right under our noses. Places that have brazing and welding facilities (and beginners' workshops, for anyone local interested). I still think the diagnosis is inaccurate, and I am still not sure how I got here. But maybe I will stay a while after all.